Jenny Brown
‘Blue Bloom’, 2012, ink and collage on paper
‘Untitled 5’, 2012, ink, gouache, pencil and collage on paper
‘Green Bloom’, 2012, ink, gouache and collage on paper
I need to get up to the art studio.
Fancy Dress Costume
Paul Poiret
1911
Metal, silk, cotton
Givenchy by Riccardo Tisci, Haute Couture costumes for le Bolero de Ravel, Opera Garnier Paris.
Photos: Agathe Poupeney - Opéra national de Paris.
(Source: dancingunderarainbow)
Gypsum; Pisco Province, Ica Department, Peru
Wings
Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.
(Source: desrted)
This is almost to much cuteness..
Project done on IU’s Campus. Good footage and very well done.
(Source: beanietheexotic)
Miranda, Rosalind and Ofelia. #cats #kittens
Pan’s Labyrinth illustration by Francesco Francavilla
“Why were you homeless?”
“It just got to a point where my mom couldn’t maintain anymore. The sad part was that it was during high school. So I had to keep it a secret. Cause, you know, it’s high school.”
